Daniel Smith Hidden Green Gem: Diopside Genuine

Recreating A Crab on its Back from Vincent Van Gogh using Diopside Genuine

Diopside Genuine is the main paint used in the background when recreating Vincent van Gogh’s A Crab on its Back (original at the Van Gogh Museum, Amsterdam)

Daniel Smith is a renown brand that offers a huge selection of professional watercolors, including their PrimaTek line of paints made crushing naturally-occurring minerals.

When thinking about green paints in the Daniel Smith’s PrimaTek line, two colors come to mind: the popular Jadeite Genuine and the always interesting Green Apatite Genuine. But in my opinion, there is another paint that deserves a spot in the palettes and hearts of artists all over the world: Diopside Genuine.

It is a transparent, heavily granulating bottle green that delivers a huge range of values, is easy to handle to create flat and graded washes, and brings life to botanicals and landscapes.

When recreating the painting A Crab on its Back from Vincent van Gogh (original at the Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)) I used Diopside Genuine and Viridian (PG18) to contrast warm and cool background tones, characteristic of the original painting.

Diopside Genuine could be seen as a granulating version of Phthalo Green Yellow Shade (PG36), in the same way that Phthalo Green Blue Shade (PG7) (often called “Viridian Hue”) can be seen as a non-granulating version of Viridian (PG18) (see diagram below).

Four green watercolors are compared in terms of their granulation and temperature

Comparison of the temperature and granulation of Viridian (PG18), Phthalo Green Blue Shade (PG7), Diopside Genuine and Phthalo Green Yellow Shade (PG36).

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